|
The Society of Folk Dance Historians (SFDH) Balkan Rhythms [ Home | About | Encyclopedia | Links | Publications | Members ] CLICK AN IMAGE TO ENLARGE |
|
"MACEDONIAN" NOTATION: n / i [,j] [,k]...; n = beats per bar; i, j, k, ... = long beats
- 2/2 = Pajduško (2-3)
- 3/1 = Lesnoto, Četvorno (3-2-2)
- 3/3 = Rûčenica (2-2-3)
- 4/4 = Devetorka, Dajčovo, etc. (2-2-2-3)
- 4/2 = Devojče Devojče (2-3-2-2)
- 5/3 = Kopanica, etc. (2-2-3-2-2)
- 5/1,4 = Pušteno, Kutsano, etc. (3-2-2-3-2)
- 7/5 = Bučimiš (2-2-2-2-3-2-2)
- 8/1,6 = Jove Malay Mome (3-2-2-2-2-3-2-2)
- 10/4,8 = Sandansko Horo (2-2-2-3-2-2-2-3-2-2)
- 11/1,4,9 = Sedi Donka (3-2-2-3-2-2-2-2-3-2-2)
"WESTERN" NOTATION
- 5/4 = Zagorisio (1-1-1-2)
- 5/16 = Pajduško (2,3)
- 6/8 = Pravo, Zonaradiko
- 7/8 = Lesnoto, Kalamatiano (3-2-2)
- 7/8 = Eleno Mome, Memede (2-2-1-2)
- 7/8 = Petrunino (2-1-1-1-2)
- 7/16 = Četvorno (3-2-2)
- 7/16 = Rûčenica, Tik, Laz Bar, Mikri Eleni (2-2-3)
- 8/8 = Syrto (4-2-2)
- 8/8 = Beratis, Dospatsko Horo (3-2-3)
- 8/8 = Siroon Aghchig, Armenian Bar (2-1-1-2-2)
- 9/8 = Devetorka, Tamzara (2-2-2-1-2)
- 9/8 = Čučuk (3-2-2-2)
- 9/8 = Acano Mlada Nevesto (2-1-2-2-2)
- 9/16 = Dajčovo (2-2-2-2-1)
- 9/16 = Grûnčarsko (2-3-2-2)
- 11/16 = Gankino (2-2-3-2-2)
- 11/16 = Neda Voda Nalivala (2-2-2-2-1-2)
- 11/16 = Petrunino (3-2-2-2-2)
- 12/16 = Tsamiko (2-1-1-2-2-2-2)
- 12/8 = Beranče, Pušteno, Levenditikos (3-2-2-3-2)
- 12/8 = Dolgoto Oro (2-2-3-2-3)
- 15/16 = Bučimiš (2-2-2-2-3-2-2)
- 18/8 = Osumnaestorka (2-2-3-2-2-3-2-2)
- 18/8 = Zeibekiko (1-2-1-2-2-1-2-1-2-2-2)
- 18/16 = Jove Male Mome (3-2-2-2-2-3-2-2)
- 18/16 = U Kručevo Ogin Gori (2-2-3-2-2-3-2-2)
- 22/8 = Sandansko Horo (2-2-2-3-2-2-2-3-2-2)
- 25/16 = Sedi Donka (3-2-2-3-2-2-2-2-3-2-2)
- 32/8 = Studenečko Tursko Pelivansko (3-2-2-3-2,3-2-3,3-2-2-3-2)
- 33/8 = Smeseno (2-2-2-2-3-2-2,2-2-2-3-2-3-2-2)
- 45/8 = Šareno Horo (2-2-3-2-2,2-3-2-2,2-2-3-2-2,2-3,2-3-2-2)
DOCUMENTS
- Balkans, a region.
- International Folk Dance Rhythms, an article.
This page © 2018 by Ron Houston.
Please do not copy any part of this page without including this copyright notice.
Please do not copy small portions out of context.
Please do not copy large portions without permission from Ron Houston.